I am focused on creating series of works for an exhibition in November at Mitsukoshi, Tokyo.
We are pleased to announce that Waterfall on Colors, 2023, is exhibited at Victoria and Albert Museum (London) and now part of the museum’s permanent collection.
I am focused on creating series of works for an exhibition in November at Mitsukoshi, Tokyo.
It is such an honor to have two works installed in U.S. Embassy Tokyo, Japan, located in Akasaka.
I am preparing for the exhibition "Hiroshi Senju, Tradition and Innovation - 350 year anniversary of Mitsukoshi", in Tokyo from Nov 22nd (Wed) to Dec 4th (Mon) this year.
There was an opening for solo show in London. This was the show that was postponed till now because of the pandemic.
New works are completed and installed for Terminal 1, Haneda International Airport.
It's time to ship the works out from the studio for London show. They are 10 large works.
The Solo Exhibition at Sundaram Tagore Gallery London (from May 3rd to 21st) is coming up. I am focusing on these works.
2023年 2月26日(日) 23:00 – 23:29
2023年 3月1日(水) 5:30 – 5:59
I started on "Mount Asama." I am using the largest piece of mulbery paper available for painting.
Koyasan Kongobuji Temple is located deep in the mountains of the Kii Peninsula. Artist Hiroshi Senju painted the first painting on the fusuma of the Daishuden, where important events are held. The film closely follows his creative process, and looks at the secrets of the paper and techniques used to make the paintings "last for a thousand years. 90 min.
Working on the composition of a new piece, titled "Mt. Asama" for the Karuizawa Senju Hiroshi Museum, when it reopens in March 2023.
Doing final check before shipment to the Museum in Kansai to be included in their collection. It is important to throughly check for any damages, since these paintings went through 5 differnt venues throughout Japan.
I am working on pieces for the exhibition for the 50th anniversary of the Taigado in Kyoto from Oct. 27-Nov. 13.
I have started working on pieces to be exhibited for the London show next year. I can finally show the works that were postponed during Covid.
Working on new works for Art Fairs around the world. I would like to capture the sublime of nature which is both beautiful and frightful.
“Art is created to appeal to our common humanity, which transcends all race and ideology. A work of art belongs to the artist while painting, but when it is finished, it leaves the artist’s hands and becomes the property of all humankind. This is what makes public art so powerful. The work I created for Shofuso House belongs to the people of Philadelphia. I hope they will continue to cherish it.– Hiroshi Senju”
I came to Mihara-cho in Fukushima for a sketch during a tight schedule in Japan.
i am deeply engrossed in working on pieces for special inauguration exhibition for membership in the Japan Art Academy "Senju Hiroshi exhibit" which will start on May 18th at Nihonbashi Takashimaya in Tokyo, Japan.
In conjunction with exhibition at the Art Institute of Chicago, the work will be shown at Expo Chicago. During the fair, there will be a VIP program, a guided tour at the Museum.
On February 22, the Japan Art Academy (headed by Shuji Takashina) announced that it had elected Hiroshi Senju and 8 others as new members for their outstanding achievements in artistic activities, and that they will be officially appointed by the Minister of Education, Culture, Sports, Science and Technology on March 1.
This work was installed in the lobby of an office building in NY Rockfeller District. The work has life of its own.
I am working on a new body of work for exhibition at Nihonbashi Takashimaya (Tokyo) that starts on May 18th.
Solo Exhibition at Sundaram Tagore Gallery has started. To keep social distance, we had two preview events.
The exhibition at The Art Institute of Chicago has already begun. The venue was designed by Mr. Tadao Ando. It will go on until June 26th, 2022.
The work for Izumo Taisha Grand Shrine is installed. In October, the month of Shinzaizuki, gods from all over Japan gather at Izumo Taisha, and see the work for the first time.
I have started on a new production. I place myself alongside nature and embrace the essence of nature’s form. The shapes that nature create are all beautiful.
I have started work on a new cliff piece. I actually create the hills and valleys that I want to express by crinkiling the large washi (Japanese paper).
Exploring and discussing Koyasan Reihokan Museum
Period: July 14, 2021 - July 26, 2021
Venue: Exhibition Hall, Japan Art Academy
Opening hours: 12:00 - 17:00
10 Questions With Renowned Japanese Artist Hiroshi Senju
In my New York studio, I’m completing a colorful new series to be exhibited in London this fall. The concept is to see the rest of the world from the perspective of being inside of the waterfall.
I am continuing to work on my solo exhibition at Sundram Tagore Gallery London in the fall.
TV Program: Conversation between Hiroshi Senju and Astrophysicist Dr. Katsuhiko Sato, both men continue to pursue the mysteries of the universe/multiverse, one with senses and other with intellects and discuss about their lifeworks.
On March 18, the Japan Art Academy (Academy Director: Shuji Takashina) announced that it had selected Hiroshi Senju for the 77th Imperial Prize and the Japan Art Academy Prize in 2020 for Waterfall (fusuma paintings for Kongobuji Temple, Koyasan).
1月23日(土) NHK総合 午後9時 – 9時50分（50分）
1月23日日(土) NHK WORLD PREMIUM 午後9時 – 9時50分（日本時間）
1月23日日(土) テレビジャパン 午後10時 – （アメリカ東部時間）
1月27日(水) NHK総合 午前0時30分 – 1時19分（火曜深夜、再放送）
1月30日(土) NHK WORLD PREMIUM 午前9時30分 – （日本時間、再放送）
I have started from scratch after coming back from the dedication ceremony at Koyasan.
It is the day of the fusuma painting dedication ceremony for Koyasan Kongobuji temple, a world heritage site.
The fusuma paintings "Waterfall" and "Cliff" by Hiroshi Senju, the world-renowned Japanese artist, will be dedicated at Kongobuji Temple, Koyasan.
The fusuma painting "Waterfall" which is over 25 meters in lengh is dedicated in Irorino-ma (room with open hearth), and the painting "Cliff" which is over 16 meter in lengh is dedicated in Chano-ma (tea room).
Venue: Kongobuji Temple Irorino-ma and Chano-ma
Opening day : Friday, October 16, 2020 from 12:00
I have started working on the base color. It is going to be a tall vertical piece but since it is too tall for me to reach the top of, I decided to paint while placing the panel on its side.
1995 Waterfall Special Exhibition at Nagai Garou Gallery (Tokyo, Japan)
June 1, Mon - June 26, Fri 11:00~19:00 Closed on Saturdays, Sundays and holidays
To start the solo show in Chelsea, Manhattan, I went in to the Gallery for the installation.
Sundaram Tagore is pleased to announce that Hiroshi Senju has just completed a powerful series of Waterfall paintings, his first since 2015. He has created these works for a three-city exhibition. They debut at our New York galleries (Chelsea and Madison Avenue), then will travel to London for the opening of our new space at Cromwell Place in London, followed by an exhibition at our Singapore gallery.
I had a phone conference with my friend, the writer Hitonari Tsuji, who resides in Paris.
We talked about our current situation in our respective cities (Paris and New York) and the changing world under COVID-19.
Now Tokyo International Airpot (Haneda) Terminal 2 International Flight Lobby is open to the public.
Famous for being the home to numerous Buddhist temples, Mount Koya, a sacred site of Shingon Buddhism, celebrated its 1,200th anniversary in 2015. On this occasion, painter Hiroshi Senju was commissioned to create a work of art unlike any other, a fusuma-e of gigantic dimensions.
Creating a new work for the Art Institute of Chicago, which will be exhibited in October.
2018年制作のDVD「風景の中の感動を描く時の旅人 東山魁夷 ／ 日本画家・千住 博の視点」（日経映像）が各賞を受賞しました。
時間：16:30 ~ 17:30
Dojima River Forum The 10th Anniversary
Hiroshi Senju & teamLab Collaborative Exhibition: Waterness
堂島リバー フォー ラム開館10周年特別企画
千住博＆チームラボ コラボレー ション展 「水」
2018年7月14日 (土) 〜 9月9日 (日)
開館時間：11 : 00 - 19 : 00 (入館は閉館30分前まで)
入場料：一般 1,000円 高校生以下 500円
Hiroshi collaborated with BVLGARI creating OCTO FINISSIMO HIROSHI SENJU
Commemorating the Completion of
Fusuma Paintings for Kongobuji Temple, Koyasan
June 9 - July 29, 2018
at Toyama Prefectural Museum of Art and Design
Hiroshi Senju to receive the Isamu Noguchi Award
The Award will be presented at the Noguchi Museum's Annual Benefit on Tuesday, May 16th.
They may look simple, but Japanese artist Hiroshi Senju's sublime waterfall and cliff paintings have an enthralling quality about them that transports the viewer right to the actual scene of the waterfall.
INTERVIEW: HIROSHI SENJU
The internationally acclaimed artist speaks passionately about his views on art.
Inspired by the calmness of moving landscapes, Hiroshi Senju enlightens with Zen musings.
This wide-ranging exhibition examines the phenomenon of globalization where cultures are colliding and melding as never before through the work of forty-four painters, sculptors, photographers and installation artists who are exploring the notion of cultural boundaries. These emerging and established artists—who come from a vast geographical landscape stretching from the West to Asia to Africa—share a truly global perspective, both in their physical existence, living and working between cultures, and their artistic endeavors.
Japanese master Hiroshi Senju’s Falling Water series of paintings is showing at Sundaram Tagore Gallery and Art Stage Singapore.
For me, it is a testament of courage and class when a gallery chooses a solo show for an art fair. Most booths are full with a cacophony of artists, some well curated, others not, but the vast majority are from a group of artists. After all, fairs are places to sell and more artists attract more buyers.
So, when I discovered Whitestone Gallery from Tokyo tucked away at the back of Abu Dhabi Art with a gorgeous solo show from Hiroshi Senju, I knew I would be giving them coverage.
千住博が FM Festival 2014 未来授業 〜明日の日本人たちへ〜 に講師として参加します。
中学生以下無料 （ ）内は団体料金および前売料金
Hiroshi Senju: Modernity makes us forget that we are the same, that we have humanity in common. It makes us identify as Japanese, or from another culture, or American.
To watch the video, click the link below and visit news.artnet.com.
NEW BOOK 3月3日発売
演出：市川右近 美術：千住博 衣裳：森英恵 照明：成瀬一裕
つう：佐藤しのぶ 与ひょう：倉石真 運ず：原田圭 惣ど：高橋啓三
2013年6月5日(水) - 10月6日(日)
藝術，是一種由藝術家要犧牲自己的生命，身不由己地傳達這些自己也不甚明白的，高於人類標準的 "美" 因此，藝術是關乎 "感召" 。
這是為什麼千住博被公認為日本國寶級藝術家, 他的 "瀑布" 系列、以半寶石、珊瑚、貝母、動物皮膠混合的傳統日本畫礦物顏料、毛筆（以至噴筆），將當日在原始森林受水靈洗滌一新的感召經驗，一次又一次寫在桑皮紙上。
Inspired by the beauty of waterfalls, Japanese artist Hiroshi Senju speaks with Hong Kong Tatler about his passion to create beyond nationality and embracing art as a global practice.
Japanese painter Hiroshi Senju is best known for the serenity of his large-scale waterfall paintings that he has made since 1990. His recent cliff paintings that he has developed since 2007 articulate both artistic and metaphysical tension.
The exquisite works in Hiroshi Senju’s series “Cliffs,” 2012—eleven mixed-media paintings, one triptych, all on mulberry paper mounted on board—appear to illustrate Lao-tzu’s idea of Tao as a sort of universal flow or elemental flux informing all things.
"Humans need to commune with the elements of nature and art at its best can provide such an experience of communion. Artists often reflect on nature and transform it into intensely condensed metaphors, poems, and songs.Through his sublime paintings, Japanese artist Hiroshi Senju has contemplated multiple facets of water, especially its fundamental power, for almost twenty years [...]n essence, he transforms solid materials from the earth to create images of elusive aquatic torrents."
Art historian Sundaram Tagore's doctoral thesis looks at Indian artists' response to European modernisation from the 1940s to 1980s. As a curator, however, his focus is more on the here and now. Hence the title of his gallery's latest group exhibition by 18 international artists, which opens today at the Sundaram Tagore Gallery's Hong Kong branch.
And Finally, after being interested in the sky, I discovered the waterfall. I felt something clicking as if I recognized some kind of DNA that I had in me, like a past memory. I find that a lot of people whether they are Europeans, Americans or Japanese have similar feelings towards waterfalls. I find that these emotions go beyond the boundaries East/West, or old/new. Once I understood what art was all about and that art should go beyond people's boundaries, it was very important for me to further explore that path.
"...Senju creates, from the most simple of low-tech means, cinematic spectacles that appear to be in motion. They are startlingly beautiful works - perhaps too beautiful, since we tend to be wary of beauty - and raise the question of optical trickery, although the trickery is completely transparent..."